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Clay
Figurine Zhang
(This story is written by famous Chinese writer Feng Jicai,
one of Tianjin¡¯s LIVING treasures. He was born there in 1942.
He has a strong interest in traditional Chinese culture and
has produced a number of works based on his assiduous studies.
His vivid portraits of the everyday lives of average people
are also astute commentaries on society. He has a wry wit
and a subtle humor that are as delightful in translation as
they are in the original Chinese. This story is based on the
experience of an outstanding craftsman in Tianjin and the
rich culture of the city. )
To fare well in days past, one needed a good skill. A craftsman
relied on his hands¡ªhands with a unique capability. In every
level of society, there must be a few top craftsmen. In Tianjin
they were Brick-Carving Liu, Clay Figurine Zhang, Kite Wei,
Machinery Wang and Brush Li. Tianjin people liked to link
their specialties with their surnames. Over time, they became
known by these nicknames, their original names eventually
being forgotten. When one earned a nickname, he would be considered
a person of significance in Tianjin communities.
Among those who lived off making clay figurines for sale,
Clay Figurine Zhang ranked number one. There was no number
two or number three. Others were far behind him as far as
craftsmanship was concerned.
The proper name of Clay Figurine Zhang was Zhang Mingshan.
In the years under the rule of Emperor Xianfeng, he was a
frequent visitor of two places: the Panorama Theatre in the
northeast corner of the city and the Tianqing Restaurant at
Beiguankou. He would often sit there and observe every kind
of person and make every sort of figurine with clay. In the
theatre, he watched all types of characters on stage. In the
restaurant, he watched people of all types in the human world,
which had more variety than the other place.
One rainy day he sat alone sipping wine and observing people
in Tianqing Restaurant. Then, in walked three customers. The
one in the middle had a big head, was of medium height and
very well dressed. He stalked in, thrusting his chest out,
with the air of an important individual. A waiter standing
at a table near the gate hurriedly ushered them in, while
announcing, ¡°Here come Mr. Zhang the Fifth and two honorable
guests! It¡¯s a great honor to have Mr. Zhang the Fifth here.
At this, all the diners stopped chewing, even lay down their
chopsticks and turned to look at this renowned figure Zhang
the Fifth. This man, named Zhang Jingwen, was famous at the
time throughout the city and its outskirts for making a fortune
by trading in salt. He had once risked his life for General
Hui Ren in the capital and therefore had been adopted by the
general as a son. At the restaurant, Clay Figurine Zhang kept
drinking, eating and looking around. To him, Zhang the Fifth
was no one special. But, a while later, someone at Zhang the
Fifth¡¯s table was talking about him, and echoed by Zhang the
Fifth¡¯s loud, husky voice.
M1: He made clay figurines in his sleeve while watching an
opera one day. When he finished and displayed it, the figurine
was exactly the same as one of the characters on stage.
M2: (Zhang the Fifth) Where? Did you say inside his sleeve?
He probably made it inside his pants!
Zhang the Fifth guffawed, enjoying his own joke at the expense
of Clay Figurine Zhang.
Every one in the restaurant had heard what he¡¯d said. They
were waiting to see how Clay Figurine Zhang would respond.
Would he throw clay dough at Zhang the Fifth?
But Clay Figurine Zhang did nothing. He put his left hand
beneath the table and fished out a piece of clay dough. He
kept drinking with his right hand holding the glass of wine,
his eyes resting on the dishes on the table. The fingers on
his left hand, which were more deft than that of Magician
Bald Pate, began to fiercely work the clay.
Zhang the Fifth and his cronies amused themselves with joking
while Clay Figurine Zhang set out to ridicule the rude man.
Then he stopped working, lay a clay head on the table and
went to the counter to pay his bill.
All in the restaurant craned their necks to look. What a lifelike
head! It was a true image of Zhang the Fifth, a gourd-like
head and a pair of bulging eyes¡ªthe elegance of the work!
It was as though the actual head of Zhang the Fifth had been
removed and put on the table. Only¡it was the size of a walnut.
Zhang the Fifth, though far away, could tell that the clay
head represented his own head. He cried to Clay Figurine Zhang
who was on his way to the gate,
M2: How can you earn your living with such poor craftsmanship?
No one should buy your junk, no matter how cheap it is!
Without turning his head, Clay Figurine Zhang walked out.
The next day, on the counters of some grocery stores on Apparel
Street in Beimenwai, row after row of clay figurines of Zhang
the Fifth had been laid out. This time it was not merely a
head but with an attached body. Obviously, they had been mass-produced
by molds. There were altogether some two hundred. In addition,
in each grocery store a piece of paper had been posted, with
the words ¡°Zhang the Fifth on Sale!¡± This generated much laughter
from passersby. Some even asked their friends to join the
fun.
Three days later, Zhang the Fifth sent people to buy all those
figurines at a high price. It was said that he even purchased
the molds.
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